Review: 4 stars
I always feel inspired by Indigo’s slogan - “The World Needs More Canada”. With that in mind, I picked up a copy of Esi Edugyan’s multi-award winning novel, ‘Washington Black’ to see if the hype around this Canadian author was deserved.
The novel opens on the Faith Sugar Plantation in Barbados, where our young, eleven-year-old protagonist, Washington Black, is a slave at the mercy of a cruel, new master. The adventure begins when Black is taken from the fields to serve as an assistant to Titch, the master’s brother. The two quickly defy the odds, developing a friendship founded upon scientific curiosity and mutual respect. Edugyan masterfully builds up the tenuous warmth of the bond, as Titch tends to Black’s wounds after an accident, praises Black for his artistic brilliance and saves Black from fatal punishment after an unexpected death occurs.
The pair escape Faith in a “Cloud-Cutter”, and as they wander further and further (Nova Scotia, Canadian Arctic), instead of relishing freedom, they become enslaved to their fear of recapture. The investment that Edugyan has made in the familial relationship between Titch and Black is ripped away without notice. Black is stranded, bereft of the sense of identity and worth that Titch had bestowed upon him. The remainder of the novel unravels through twists and turns, enriched by romance, tormented by the fear of being hunted, and encircled in unanswerable questions.
Edugyan’s central theme revolves around what it means to be free. Big Kit, Black’s closet caregiver on the plantation, asserts that freedom is “to [go] wherever it is you wanting”. Clearly, Black was beholden to the chains of slavery on the plantation, his very breath extinguishable on the whim of Master Erasmus. However, even after he escapes, Black is not truly liberated. He is monetarily and emotionally dependent on Titch, unable to imagine an independent path for himself. He has freedom from abuse, forced labour, brutality, but not freedom itself. After Titch’s disappearance, Black remains imprisoned in his own anxieties, as Willard, a brutish bounty hunter, draws nearer and nearer. In the final chapters, Black continues to be tethered to Titch, unable to extricate himself from perennial questions of “Why” and “How could you” as he scours the globe for his elusive friend. It is only in his final act of the novel that Black releases himself from all bondage, and goes where he is wanting, to the incredulity of the reader.
I thoroughly enjoyed this novel for its complexity, inventiveness and ability to approach the oft-visited theme of freedom across so many dimensions. Edugyan’s writing is meticulous in its fidelity to the novel’s temporal and geographic settings. Washington Black as a narrator is completely believable, and engenders deep reader sympathy as well. I would definitely recommend this book, and look forward to reading ‘Half Blood Blues’ - Edugyan’s prior work.
